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The album is the band’s second release in English and was recorded between London and their hometown of Reykjavík. \u003c\/p\u003e\u003cp\u003eRide The Fire was produced by fellow Icelander Árni Hjörvar of The Vaccines – a close friend of the band, and another reinforcement for their close-knit group. It was then mixed by Sam Slater, who produced the ‘Joker’ and ‘Chernobyl’ scores with Oscar-winner Hildur Guðnadóttir, and mastered by Mandy Parnell, who has worked with fellow Icelandic luminaries Björk and Sigur Rós.\u003c\/p\u003e\u003cp\u003eRide The Fire represents a sonic and philosophical shift for Mammut, and a number of firsts for the band. Recorded in Iceland and London in August and September 2019, it is the first album they have made between two countries. The sessions also saw a new approach to writing and recording, with parts of songs being worked on by band members separately rather than together, garage-band style. 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At a young age, Harris was influenced by jazz greats John Coltrane, Charlie Parker, Eugene “Jug” Ammons, and Eddie “Lockjaw” Davis. After a stint in the military playing with the 52nd Army Band, Harris attended Berklee College of Music in Boston where he met the Tavares brothers. His relationship with the brothers would continue throughout his career as Harris would later become their touring music director.\u003c\/p\u003e\n\u003cp\u003eHarris moved to San Francisco in 1970 where he supported himself gigging in nightclubs and doing promotional work for a number of clubs and bands in the area. While playing around the Bay Area with such acts as Canned Heat, The Whispers and Buddy Miles, Harris was approached one night after a gig by Janis Joplin who invited him to accompany her for a series of upcoming shows. After a chaotic rehearsal, Harris turned down Joplin’s offer to join her Kozmic Blues Band and focused his energy on recording and opening a jazz club in Haight-Ashbury called “Quinn’s After Hours”.\u003c\/p\u003e\n\u003cp\u003eIn 1970 Harris recorded his first full-length LP All In The Soul with his then band The Masterminds and it was released the same year on the boutique San Francisco label Reynolds Records. The album was followed up with a 7inch single penned by Harris and featuring the female Grammy-nominated singer, Lady Bianca (Sly and The Family Stone). The single charted briefly in the UK and is considered a classic to this day. Harris’ second album Statements was recorded and self-released in his hometown of Riverside, CA in 1975 (with his eight-piece ensemble The Masterminds). Now considered a classic...back then the album received little notice beyond the small jazz community of the Inland Empire. Harris’ brother Huey, who had experience producing records in Los Angeles, offered to help Quinn with his next recording. What resulted was another great 7’’ single of two originals, Protect Me From Myself \/ I’ll Always Love You.\u003c\/p\u003e\n\u003cp\u003eGetting frustrated with the music industry, Harris decided to pursue his education. First obtaining his teaching credentials and then his master’s degree. Harris spent the remainder of his working career teaching music to High School students, eventually retiring in 2005. Although Harris never received the proper recognition he deserved during his recording career, his music has since found a proper audience with rare soul, jazz and funk collectors all over the world.\u003c\/p\u003e\n\u003cp\u003eThis is the first official reissue of Quinn Harris’ funky soul-jazz classic Statements. The album features songs made popular by Al Green, Roberta Flack and Minnie Riperton, as well as two originals penned by Harris himself. 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