Nova Fellowship - Continuum

The quintet Nova Fellowship was formed at the initiative of producer Antoine Rajon for a performance at the Nuits Sonores  2026 festival to pay tribute to the short but fruitful collaboration between musicians Kieran Hebden (aka Four Tet) and Steve Reid. A discreet yet essential figure on the American music scene, the African-American drummer Steve Reid (1944-2010) left his mark on the history of free jazz, funk, and rock. His collaborations included the Sun Ra Arkestra, Albert Ayler and Miles Davis (Tutu), James Brown (on the classic Popcorn), and Martha and the Vandellas. The end of his career was marked by his encounter with the Englishman Kieran Hebden, an emblematic pioneer of electronic music known as Four Tet, with whom he recorded four hybrid, experimental, and spiritual albums between 2006 and 2010.

Nova Fellowship, a group of friends who have collaborated in several bands, recorded the album Continuum  live at Studio Pigalle in Paris, with Kieran Hebden in attendance, who was captivated by the group's first concert at the Nuits Sonores festival. On this album, Nova Fellowship covers three 1970s classics by Steve Reid and the Master Brotherhood, three tracks by Four Tet, and a composition by the duo Kieran Hebden and Steve Reid, "Morning Prayer," which appears on their first joint album. Missouri drummer Zach Morrow brings to the group the dynamism he has displayed in recent years touring with poet Aja Monet. Heir to the versatility of Steve Reid, his playing is imbued with the full spectrum of Great Black Music. Versatile pianists Tony Tixier, arranger of an explosive version of the Nova/Free Spirits tracks created by Steve Reid, and Rob Clearfield, known for his work with Makaya McCraven, create hypnotic bass lines and captivating synth textures on their shared keyboards and synthesizers. Eritrean/American trumpeter Hermon Mehari and Italian saxophonist Francesco Geminiani, both Parisians and active on the European scene, form a powerful brass section. On ‘Morning Prayer,’ Francesco uses for the first time a flute of his own design, the Nautilus, which resembles an ocarina. This instrument, carved from maple wood and stylized on the album cover, was designed according to the Fibonacci sequence and the golden ratio. Its use celebrates the mystical and exploratory nature of the duo formed by Kieran Hebden and Steve Reid, whose musical alchemy has left its mark on all those who have attended one of their concerts.