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The Vinyl Whistle

Weird Nightmare - Hoopla

Weird Nightmare - Hoopla

Regular price £29.00
Regular price Sale price £29.00
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Release Date: 01/05/2026
Vinyl: Tranparent Orange
Discs: 1xLP
Genre: Alternative

Every band worth its salt has a member who worked in a record store. In Metz, the fearless noise rock trio who released five full-length albums on Sub Pop between 2012 and 2024, it was singer and guitarist Alex Edkins. Slinging indie rock and hardcore records in his hometown record store while attending university, Edkins became an ardent student of rock ‘n’ roll from the psychedelic 1960s to the DIY 1990s and beyond.

Hoopla, the catchy, melodic second LP from Edkins’s solo project Weird Nightmare, mixes and matches these influences in fun and exhilarating combinations, displaying his sophisticated musical mind. Bursting to life with hooks and earworms, Hoopla is that one tape that never gets ejected from the car stereo, but plays on repeat, soundtracking the summer. New and nostalgic at the same time, Hoopla will perk up your ears.

Weird Nightmare’s self-produced, and decidedly lo-fi, self-titled debut was recorded at home during the pandemic and released by Sub Pop in 2022. Weird Nightmare displayed Edkins’s indie rock sensibility, with a penchant for undeniable hooks and massive sing-along choruses.

On the new studio album Hoopla—co-produced with Spoon’s Jim Eno and recorded at Seth Manchester’s Machines with Magnets—Edkins expands Weird Nightmare’s dimensions even further. New musical textures such as piano, bells, and castanets fuse with Edkins’ straightforward songwriting to give these tunes a shiny luster. It’s like a beloved indie director leveling up to their first studio feature. If Weird Nightmare’s debut was an underground crowd pleaser akin to Richard Linklater’s Slacker, then Hoopla is Edkins’s Dazed and Confused.

Resplendent with sunny guitar pop, Hoopla was produced with just the right amount of fuzz and crunch. The immediate, unfussy recording brings you right into the studio with Edkins and his rhythm section: Loel Campbell on drums and bassist Roddy Kuester. This is top-shelf power pop; these sharp jolts of adrenaline could slip into a radio rock block between The Replacements and Elvis Costello & the Attractions. Or fit just as easily alongside Sharp Pins, Ratboys, and Alvvays.

At its heart, this album is an optimistic, shining light in our strange time. Through Weird Nightmare, Edkins wants you to know that he is still in love with the world, and he invites the listeners of Hoopla to feel the same. Take this chance to seize a glimmer of widescreen pop magic in our used-up old world. You deserve it.

Shipping

The Vinyl Whistle uses Royal Mail for national and international deliveries.

For UK deliveries, please allow up to 7 business days for delivery; expected delivery usually between 3 - 5 days. Delivery outside of the UK may take longer, please allow up to 15 business days for delivery; expected delivery is between 5 - 10 days.

We only do Signed deliveries for domestic UK orders, and Tracked deliveries for international orders with Royal Mail to ensure safe and quicker delivery of your orders.

 

Please note, The Vinyl Whistle accepts no responsibility for any package which is damaged, lost or stolen during transit. Compensation for damage or loss should be pursued through the claims procedure offered by the Royal Mail - contact us if you need help with this.

Return policy

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We want you to be happy with your purchase from The Vinyl Whistle. If for some reason you are not entirely satisfied with the goods or service you receive, we ask that you contact us directly in order to resolve the issue.

 

Please be mindful of the possible age of some of our used vinyl when considering its condition.

Instore - Tickets & Events

If you have purchased a pre-order as entry to one of our instore gigs, you will be able to collect the vinyl or CD on the day of the event and get it signed by the performer or band.

We won't be printing tickets for this, please use your email order confirmation for entry.

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